1/27/2024 0 Comments The dream syndicate![]() This disc alone serves as a rich repository of post-punk, dream-pop, and indie rock history. The first disc presents a newly remastered edition of the original nine-song album, which is accompanied by the band’s eponymous debut EP, also released in 1982 on Down There Records. ![]() “We would actually listen to these cassettes back then religiously, simultaneously for study and clues for what to do next but also just out of amazement that we were suddenly playing in our own favorite band, doing a kind of music we had only dreamed somebody might do someday.” “Hearing these bonus tracks of live and rehearsal performances of The Dream Syndicate, culled by Pat Thomas from the cassette collection of Dennis Duck, I remember things about that band and what we were doing in 1982 that I had long since forgotten,” Wynn muses. This 4-disc, 54-track collection, out 23 June, boasts ten rarities and a whopping 31 previously unreleased recordings from the original lineup of Steve Wynn, Dennis Duck, Kendra Smith, and Karl Precoda. To celebrate their 40th anniversary, The Dream Syndicate’s 1982 debut, The Days of Wine and Roses, will receive a reissue via Fire Records: History Kinda Pales When It and You Are Aligned: The Days Of Wine and Roses. When The Dream Syndicate emerged in the early 80s, frontman Steve Wynn declared that “We’re playing music we want to hear because nobody else is doing it.” He added, “I’ll compromise on what I eat or where I sleep, but I won’t compromise on what music I play.” The Dream Syndicate’s sound was much harsher than their hippie-era forebears they dwelled in the same energy cloud as Echo and the Bunnymen, but infused with a more frenetic ferocity. The Dream Syndicate wore their influences on their sleeves: the moniker refers to La Monte Young’s early 1960s New York experimental ensemble The Theatre of Eternal Music, whose members included former Velvet John Cale, and Tony Conrad. This scene included the likes of The Bangles, Rain Parade, The Three O’Clock…and The Dream Syndicate. The early 80s Paisley Underground scene in Los Angeles yielded a curious paradox: combining the gentle harmonies and intricate guitars of psychedelic-era bands like The Byrds and Velvet Underground, with the fury of punk.
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